EMILY'S FINAL SHOW

BEVERLEY'S FINAL SHOW

EMMA'S FINAL SHOW

SHANNON'S FINAL SHOW

JAMIE-LEIGH'S FINAL SHOW

HEIDI'S FINAL SHOW

TAMMI'S FINAL PIECE

BETH'S FINAL SHOW

PUTTING THE SHOW UP

Deciding on Tammi's show set up.

Sarah's work laid out.

Making decisions over what goes where.

Beth's halfway there.

Heidi's work is starting to be put up.

Everyone's work on the table!

Deciding on Clare's work.

Pinning Shannon's dress.

EMMA'S SAMPLING

Throughout my sampling process I have used a number of techniques and processes such as Magic Tough printing, procion dying and mark making as well as hand painting and embroidery.

BEVERLEY'S SAMPLES

Throughout my sampling process I had to try and find a way to match my fabric colours with that of my sheetwork. Whilst doing this I looked at using procion dyes which resulted in the really bright samples in the top images. I love these but they don't fit with my colour theme so I eventually went back to using Brusho inks like I use on my sheets.

HEIDI'S SAMPLES

Whilst I was in the print room I have used a wide mixture of colours and layers to reflect the colour spectrum of the galaxy that is 'Out of this World'. To do this I have prepared backgrounds with stripes of colour to then print on. Following my theme I also tried to print on foil, which is more futuristic than fabric.

HEIDI IN THE PRINT STUDIO

Having created my final design, I set about sampling on different surfaces such as foil and with different dyes.

EMMA'S DRAWINGS

For my FMP I will be looking at confectionary, a bright and exciting subject with a variety of textures to explore and repetitive images. The artists I am using for my research are Sarah Graham(top image) and Wayne Thiebaud (middle image).

SHANNON'S FINAL PIECE IN PRODUCTION

My final piece is a dress with my Ronald Searle inspired print. I sampled colours and then set about creating my final fabric which was then sent to fashion to be cut and made into my dress. The final image shows my dress with a sample of sheer fabric which I'd like to overlay on my dress with my own print.

BEVERLEY'S DEVELOPMENT

As part of my development one problem I had to solve was matching the base colour of my fabric with the background colour of my sheetwork. I spent time in the print studio using similar techniques from my sheets with the fabric, taking notes along the way on what worked and what didn't.